Tuesday, April 19, 2011

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CHRIST OF THE HISTORY OF CINEMA (USA, France, 1903, 1912)

Original title: La vie et la passion de Jésus Christ (1903). Address: Nonguet Lucien and Ferdinand Zecca. Cast: and Monsier Madame Moreau (Virgin Mary and Joseph). The rest of the cast does not appear. Duration: 44 minutes.

Original title: From the manger to the cross (Jesus of Nazareth, 1912). Address: Sidney Olcott. Cast: Robert Henderson-Bland (Jesus), Gene Gauntier (Virgin Mary), Percy Dyer (Jesus, child), Alice Hollister (Mary Magdalene), Sidney Olcott (Blind), Samuel Morgan (Pontius Pilate) , James D. Ainsley (John the Baptist), Robert G. Vignola (Judas), George Kellogg (Herod), JP McGowan (Andrew). Duration: 70 minutes .

Symptoms: Birth, life and passion of Christ. In the first case reaches its apotheosis resurrection, second only to its cruxifición title, mostly for not contradict the title.


Diagnosis: Session turn over the most important historical figure - regardless of our beliefs, and one that most times has been brought to the screen. Two rare - thanks to cyberspace and not so - a bit away from the topic of the blog and if they have their place here is because it is the first two appearances Jesus major in film.
Make a review here celluloid adaptations to be an emblematic character unnecessary exercise as there is sufficient information. More challenging would be closer yet some of those adaptations that are more Martian and many. Maybe in successive Easter, we'll see as we walk the Christian fervor then.
Once invented the cinematograph in 1895, Jesus of Nazareth would soon appear on the screen. Since the Lumiere brothers themselves two years would roll Life and Passion of Jesus Christ , a set of prints were absolutely naive to great acclaim. It is natural to date the other arts (painting, sculpture, theater) had been monopolized by the church since the Middle Ages for its work "pedagogical" and evangelizing. The enormous potential of the film could not escape them, and soon to use the cinema as an ideal vehicle to achieve inflame the Christian armies, which have left to do, by the way (see Gibson ultracatholic versions or Zefirelli without going further).

La vie et la passion de Jésus Christ The first approach can be considered more or less seriously prsonaje and is not just a remake of that first title of the Lumiere, a bigger budget and gradually expanded from 18 original paintings to the 31 that were in 1905 (version they belong to the links presented below). A delightfully naive appearance, the film itself are nothing more than a series of "pictures" hand-colored (the film is produced by the Pathé brothers precisely this intimate patented system) and displays a rather full life and miracles of Jesus. It is irresistible to see the ingenuity with which solve some "special effects" Required: Jesus walking on water, the decline of the Holy Spirit, Resurrection, etc. The technical prowess and appearance were so impressive for the time that was a very useful teaching tool for the Catholic missionaries in Africa and Polynesia. Zecca In 1907 he oversaw a new version with the famous Second Chomón as cinematographer.

the Manger to the Cross goes a step further and can be considered the first feature of Jesus itself. Not only that, it is also the first blockbuster about his figure and that cost a whopping $ 100,000 at the time but was such a success that soon reached that figure tenfold. The first thing you notice is that the film obviously an important aspect for devout believers is the Resurrection of Christ. A portion of this data, another curiosity of particular value in this film is being shot right in the places where the action, riding a plateau in Jerusalem for the interior and extending for three months filming in Egypt and the Holy Land. Despite this, and since the cinematic point of view, progress is minimal and the prints of Ferdinand Zecca. In fact, maintaining the same static quality of the camera (save for some another slight overview, as in the arrival of the Magi) but yes, providing more realistically staged in each painting. The absence of close-ups, tracking shots, or any other source of narrative cinema prevent creation of a film itself, being a succession of scenes a little more elaborate than its predecessor but without grace "kitsch" of that. As a final curious note that Gene Gauntier, screenwriter of the film, here plays the Virgin Mary and that the director, Sidney Olcott appears as a blind man. Ultimately two versions unpublished until recently for us and certainly very appropriate at this time as indicated for some, as "pain in the ass" to others.

Excerpt from "Life and Passion of Jesus Christ" (1905)

can not miss it: who are tired of seeing the same movies as messianic at this time.
Refrain: Whoever does not have at least curious about the film archeology.


Friday, April 8, 2011

Can Plus Size Women Get A Brazillian Wax

SHARKTOPUS (USA, 2010)

Address: Declan O'Brien. Cast: Eric Roberts (Nathan Sands), Kerem Bursine (Andy Flynn), Sara Malakul Lane (Nicole Sands), Héctor Jiménez (Bones), Liv Boughn (Stacy Everheart), Julián González (Santos), Blake Linsey ( fish), Calvin Persson (Commander Cox), Megan Barkley (Lisa), Maija Markula (Bree). Duration: 86 minutes .

Symptoms: An engineer for the Army created a monster, half shark, half octopus, as a weapon against Somali pirates. When your electronic implants fail, the Sharktopus (or pulpurón, which comes to the same thing) goes to Mexican waters ready to scoff at every tourist who is his path.

Diagnosis: facing these types of securities inevitably makes us twist the gesture at the same time raises the fun of every movie buff most bizarre and psychotronic / tropics.
But really, what difference titles like this (or any of the other films, each more insane, that Roger Corman has produced recently for SyFy channel Universal) with productions that made this clever producer Picture for American International in the early 50? Why now defend titles like Attack of the Crab Monsters , It Conquered the world or The wasp woman at the same time dealing with products like this Sharktopus contempt?

elements are exactly the same: nonsensical scripts, special effects flights (however these are digital), third-row players (it hurts to see where he completed an actor in his time as promising as Eric Roberts) and a pellet production work led to the immediate consumption of an avid teenage audience novelties. The answer to that we deal with more condescension and labeled as "classic" those titles is certainly the effect that the time factor occurs in these works that make it cumbersome in naive as to irresistibly cheesy "kichts."

But if something must be recognized in this production (yet another clash of creature artificially modified for military purposes with its creators, more like Baywatch has Ph.D. scientists in molecular genetics), like their predecessors, is his absolute honesty in their approach: just five minutes have passed since the creature escapes laboratory from there an endless persecution, picnicking monster attacks every living creature, bold humor (attention to the intervention-cameo of a dear and old man named Roger Corman, by far the best of the tape) , girls in bikini and especially the fresh feeling that those responsible do not take the thing too seriously.

Needless to say much more about this title. Today will cause the flight of more than one, tomorrow is destined to be a classic B-series computer graphics revolution, "B" low-class, of course.


Official Trailer of the thing in question

can not miss it: The mutants amateur sailors.
Refrain: whomever the poster, the trailer and the photos do not prove absolutely irresistible.

Links (in VOSE)

Friday, April 1, 2011

Yak Wheels For Salein Las Vegas

HAPPY END (Czechoslovakia, 1967) A health and therapy


English Subtitles:

http:// www.megaupload.com/?d=UWXXCY3N
Download Links:

One of the best film sequences


Refrain: Only he who does not like subtitles. At the moment the only way to enjoy this bliss.
can not miss it: No movie lovers with a capital.


Diagnosis: "Love stories are all alike unfortunate beginning and a happy ending. Mine is completely different. " With this first sentence Lipsky made a declaration of intent for the film: a hilarious satire about relationships between men and women in a complex piece of camera, silent film aesthetic and whose greatest - and amazing - particularity is to be told backwards.

Indeed, the characters always act backwards, backwards dialogue, the film ultimately continuous rewind from the first minute to its resolution "start? Of our history.

The experiment is not trivial, the action and staging is designed to provoke laughter, the dialogues are millimeter designed so that, invested, have always felt a multifaceted set of words and meanings. Above all this the voice of the protagonist, omnipresent narrator, reinvented and giving a wry explanation for everything we are seeing reverse. The result: a highly intelligent comedy that transcends its initial appearance naive, its naive tone, to become one of the most fascinating narrative experiments in the history of European cinema.

Aside from that usual in its director: art direction flawless technical virtuosity remarkable for the era and actors in a state of grace. Lypský - cult director whose limit set were his own imagination - wisely avoids the dangerous shadows of pedantry and boredom with these 70 minutes to prevent fatigue reaches never appear in the viewer.

And is that Oldrich Lipsky - as outlined in this Madhouse - can be blamed only a couple of "sins" have no French or British born and dedicated to a genre seemingly frivolous and comedy. Otherwise I've always said that his place in the cinema would be reserved next to the club reducidísmo geniuses very close to Billy Wilder and Howard Hakws.

Symptoms: Frydrych History, a head orphan. Then you grow up body and limbs on the blade of a guillotine. After a short time in a hospice behind bars for his own safety and training, Frydrych finally comes to life ready to start an unusual love story.
Original Title: Stastny Konec. Address: Oldrich Lipsky. Cast: Vladimir Mensik (Butcher Bedrich Frydrych) Jaroslava Obermaierová (Julie), Josef Abrham (Ptacek), Bohus Zahorsky (Tchan), Stella Zazvorková (Tchyné), Jaroslav Sterci (Strázník), Helena Ruzickova (Cernovláska), Josef Hlinomaz (Commissioner). Duration: 69 minutes .